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'Versions' developed little over the next year or so and it was not until around the end of 1972 that Dub in it's truest sense came into being. The man chiefly responsible for it's development was pioneering engineer, Osbourne Ruddock, who by now had come to be known as King Tubby. After receiving an education in electronics, Tubby launched his Home Town Hi-Fi sound System in the early sixties and after creating an amplifier capable of playing music louder and clearer than anyone around his local neighbourhood of Waterhouse, he became the leading operator in the area. The popularity of his sound system was further increased following the enlistment of U Roy as his regular deejay. At his small studio at the back of his home, Tubby then began creating special mixes of popular recordings which were devoid of the vocal track, thus enabling U Roy to toast over the rhythm unhindered. Around 1970, the idea was put into commercial practice when Duke Reid recorded the deejay toasting over a number of his best known Rocksteady rhythms. Reid subsequently issued the tracks and their enormous success led to the style being widely copied by producers throughout Kingston, with deejays such as Dennis Alcapone, I Roy and Big Youth all making their mark over the next year or so. Throughout this early period, Tubby continued to experiment, dropping sections of the rhythm and vocal track in and out of the mix, while using separate tweeter boxes and custom reverb and echo units to create wild new sounds. When he acquired the old four-track desk from Dynamic Studio, his services were increasingly called upon by local performers who began issuing his mixes as 'Dubs'. Meanwhile, other engineers - most notably Errol Thompson at Randy's studio and Sylvian Morris who worked at Harry J and Studio One - also began their own experimentation with sound, developing the style further. Throughout the remainder of the seventies, Dub music thrived and towards the end of the decade, a new wave of engineers such as Hopeton Brown (aka Scientist), Lloyd James (aka Prince Jammy) and 'Prince' Phillip Smart, pushed it's boundaries to new limits. By the mid eighties, however, the sound was on the wane. For the next couple of years it remained on the periphery of Jamaican music, but early the following decade, a new generation of musicians and producers breathed new life into the genre and it's popularity has since steadily grown. This set brings together fifty heavy Dub sounds from the mid-seventies to the early eighties and features a selection of killer rhythms from some of Kingston's leading session crews and mixed by Dubmasters such as the great King Tubby, his talented protégé Scientist and the incomparable Lee 'Scratch' Perry. If you have yet to discover the wonderful, mind-blowing world of Dub, you could wish for no finer introduction than this truly superlative collection. |
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DISC 1 |
DISC 2 |
DISC 3 |
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Marijuana |
King Tubby's Explosion Dub |
Freedom Dub |
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Time - 55:44 |
Time - 55:52 |
Time - 55:44 |
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All material © Copyright Trojan Records |
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